Mr. David Senenmut, Architect

That day the newly divorced wife of young architect David Senenmut felt especially lonely. She knew exactly what to do. First she cast a glance at the two rivers. That morning the clouds failed to cross the water. They twisted their way against the stream along the right bank of the Danube and rode the winds at its meeting point with the Sava. The former Mrs. Senenmut unpacked a little box wrapped in gold paper with feverish fingers. Inside lay something magical, the purpose of which she had not at once been able to guess in the crystal store where she had bought it the day before. It was a beautiful glass snail filled with pink powder and sealed with pink wax with a wick in the center. It looked like a festive candle. It was a gift for her ex-husband. At one point she wanted to write a kind of dedication on the snail’s shell, but she thought better of it. She had no faith in words.

She knew that language is only a map of man’s thoughts, feelings, and memories . . . “Like all maps,” she thought, “language is a picture of what is to be represented but reduced hundreds of thousands of times. A vastly miniaturized picture of human feelings, thoughts, and memories. On that map seas are not salt, rivers do not flow, mountains are flat, and snow is not cold. Instead of hurricanes and storms only a tiny cluster of winds is drawn . . .”

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